Day 2. Saturday, April 30: From villains and Buddhas.
Hello, cineasiáticos. Despite the good intentions of getting up at seven o'clock, my phone Samsumg (who knows that her days are numbered) has joined forces in a wise strategy, and has not sounded. Conclusion: udinenses birds have been responsible for waking and the first movie of the day, the bus Sabi Sabi Japanese Quirky Guys and Gals has been in the editing room. Try to recover it in the press room that the festival offers journalists, and includes copies of all the films in the competition. Vietnam was our second leg of the trip. Based on a national bestseller that tells the story Floating Lives us into the life of a family (Father and two children) who saved a prostitute from being killed by women of a village. His life, nomad, adrift in a boat that moves from town to town, will highlight its shortcomings, problems and aspirations. A film weighed down by an emotional force which fails to immerse the viewer, but is full of good intentions.
Around one o'clock the body demanded we make a technical stop. Stop we made in the cafeteria which is opposite the Teatro Nuovo. Good food, good company ... and an hour later, one of the films of the day: Villain (Japanese of Korean origin Lee Sang-il) . The maker of Hula Girls achieved on this occasion a multifaceted film, which tells of evil and its different faces. The investigation into the murder of a young middle class will lead us to question, and not the origin of evil, but who is the villain of the film. The murderer or the victim? Did the police or the press? "The 'medical miracle' extortionist or upper-class woman unable to assume their role in society? Villain deserved the awards he received for his Academy, yes sir, and Lee Sang-il has taken a giant step: he no longer runs 'telefilms' now already beginning to dominate the movie camera. 
many expectations we had before the Chinese film of the day. Buddha Mountain, released in China makes few dates with great success, is one of those films that justify their own festival. Director Li Yu achieves a fresh Chinese society through the lives of three young people and the relationship they have with their new home, an actress from the Beijing Opera, who tries to hide the scars that life has been leaving (the wrecked car that keeps locked in the garage). Charismatic characters and a restless camera that knows where to look, We plunge into the odyssey of finding new family systems, the search for roots of empathy. The auction of the day was sounded. Two of the best thrillers in a meeting Asian double The Man from Nowhere (from Byeon Jeong-Lee), the highest grossing Korean film of last year and had the presence of its director. And at twelve o'clock the Hong Kong The Stool Pigeon, where Dante Lam shows that it is one of the top directors in the form of the quarry in Hong Kong.
Sleeping ...? Eat ...? Welcome to the Mediterranean diet FEFF: film, cinema, cinema, cinema.
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