Tasco Riflescope With Rangefinder

Federico Jorge Klemm - Isologotype - Presentation of the publication

PETRONIO
PAULA CHAVES Runner PATRICIO

Ricardo Blanco with the winners selected



SEBASTIAN RODRIGUEZ / LEANDRO Aizenberg / CAROLINA NEGRI / Patricia Chaves / Leonardo Callegari / LAURA Tallarico / PAULA PETRONIO / SEBASTIAN GALLO / ESTUDIOMÍNIMO

Jury selection and awards
RICHARD WHITE / EDGARDO GIMENEZ / ENRIQUE LONGINOTTI / MARIN MATILDE

How Much To Weave Extensions Cost

Cabildo Open Art.

In its sixth year, Art Week Rosario joins the Bicentenary celebrations and unfolds in two stages. The first part, which took place in May this year, was the convening of a historic Art Town Meeting, which was attended and made presentations regarding the various national art scenes, thus forming a snapshot of the current state of the art in our country. In the second stage, given the quality of the presentations, we decided to translate them into a publication to launch a new collection of editions Castagnino + macro dedicated to the theory and art criticism.



Thus, a fundamental part of this 6SAR/10, the publication presents the Open Meeting of Art, historical edition which rescues all the presentations that were delivered during the conference, to be a single document that provides an overview of different views on the current national artistic field, told in words of references and undisputed protagonists.



The presentation ceremony is conducted under the traditional Bar Cairo on Friday November 19, 2010 with the presence of provincial authorities, municipal managers of institutions and members of the artistic community .. Also present were representatives of the various locations Santa Fe participants of previous editions of Art Week which, in turn, relate their experiences in a special chapter of this publication .



also the Director of the Museum Castagnino + macro with the editorial board publicly announced new guidelines to be implemented during 2011, regarding the collection and the launch of new editorial proposals.

Those interested can access the digital version publication on the website of Arts Week. Http://www.semanadelarte.org.ar/

Plans For Karts And Buggys

BOOMERANG ART PROGRAM FOR THE ARTS FEDERAL

BOOMERANG ART PROGRAM FOR THE ARTS FEDERAL

Curator Daniel R. Arch

Tel 03722-423221

Fischer

Cel.03722-15331616

daniel.r.fischer @ gmail.com

BOOMERANG ART: A PROPOSED ACADEMIC AND FEDERAL

When the architect and curator Daniel Fischer launches new project, the first thing that stands out is the need for the professionalization of art in the region. That is why the coaching Boomerang Art "which he coordinates and presents these days the northeast, is part of these lines of analysis, criticism, dialogue and production of contemporary art with academic content.

The growing career of this young Chaco has taken him to explore different aspects related to the world of skin art curator, artist and manager, moving to places like the UK or through scholarships funded by the Cultural Office Embassy of Spain, Fundación Volpe, Antorchas Foundation, among others. Through this global view of the artistic conception he says: "When you start working on major events felt that the activity is not very professionalized in the country. I noticed that artists in Argentina fail to meet performance standards or have in Europe and I think this is due to production methods and systems of work to implement, "he said.

In this situation, the architect proposes to "Art Boomerang" encourage the formation and the production and critical analysis of current artistic trends, nurturing and producing new maps and views on culture. In this line, the project provides support and visibility to artists from around the country through linkages and networks among critics, artists, curators, institutions and exhibition spaces.


--------------- CURRENT Boomerang Art - Federal Program for the Arts

recall requirements
corrientes.artboomerang POSTED AT
CV @ gmail.com , Personal Letter
because you want to participate in the program.
10 images of their work or works (from different periods or what it generates)

VIDEOS
Clikee here to view the video presentations video
audio Boomerang Art Program
For more information about the program can communicate
Monday FRIDAY 9 to 13 and from 17 to 20, to:

* Coordination and Support via mailing: Prof.
Ana Maria Goycoechea

Cultural Management Telephone: 03722 - 1540-7178
corrientes.artboomerang @ gmail.com

Visual Arts Coordinator Fernanda Toccalino

artesvisualescorrientes@gmail.com
Phone: 03783 to 422786


Federal Project for the Arts - Art Boomerang
Current Sponsor: Secretariat of Culture of the Province of Corrientes. Join
: Association
Adapthes

----------------
FORMOSA Boomerang Art - Federal Program for the Arts

OPEN CALL UNTIL 15 NOVEMBER FORMOSA Formosa

Clikee here
Boomerang Art formosa.artboomerang @ gmail.com


VIDEOS
Clikee here to view the video presentations video
Boomerang Art Program
http://www.youtube.com/watch?v = MwDIutRMHYY
Formosa Art Boomerang video

http://www.youtube.com/watch?v=6dajAMkrK00


-----------------
LOS ANDES, NEUQUÉN. - ART BOOMERANG Federal Program for the arts.

Under the auspices of the Secretariat of Culture of the Municipality of San Martín de los Andes Neuquén reports be part of the Federal Program for the Arts "Art Boomerang", for which we are calling for visual artists Neuquén and areas of influence, to be submitted to the invitation to participate in it.

The program is designed to refine, articulate and disseminate the work of artists in their local context and in other territories. Also create institutional networks which will enable a specific support for the development of the visual arts.

five games will be developed thought to foster the development of works and critical analysis of the productions, a later local show and an exhibition in another province for the promotion of artists coordinated by curator Daniel Fischer Architect.

The program began in Neuquen, will be held in October.

Until October 15, 2010 will open registration to participate in the program Neuquén Boomerang Art.

Interested parties may request the terms and conditions neuquen.artbooemrang @ gmail.com, or contact the coordinator Paula Giménez Zapiola 02944-15569310 9 to 12

BOOMERANG ART: A PROPOSED ACADEMIC AND FEDERAL

When the architect and Curator Daniel Fischer presents his new project, the first thing that stands out is the need for the professionalization of art in the region. That is why the coaching Art Boomerang "he coordinates and presents these days by the country's northeast, is part of these lines of analysis, criticism, dialogue and production of contemporary art with academic content.

The growing career of this young Chaco has taken him to explore different aspects related to the world of skin art curator, artist and manager, moving to places like the UK or through scholarships funded by the Cultural Office Embassy of Spain, Fundación Volpe, Antorchas Foundation, among others. Through this global view of the artistic conception he says: "When you start working on felt great events that the activity is not very professionalized in the country. I noticed that artists in Argentina fail to meet performance standards or have in Europe and I think this is due to production methods and systems of work to implement, "he said.

In this situation, the architect proposes to "Art Boomerang" encourage the formation and the production and critical analysis of current artistic trends, nurturing and producing new maps and views on culture. In this line, the project provides support and visibility to artists from around the country through linkages and networks among critics, artists, curators, institutions and exhibition spaces. ADDING



TERRITORIES

Thus, continuing the idea of \u200b\u200bexpansion in the country and after the program was implemented successfully in Bariloche, Neuquén province in San Martin de los Andes, is the second province Patagonian region that receives the call to participate in the project. It will end on October 20, term which will select a limited group of artists who will perform the various steps proposed in this federal program for the arts.

The series aims to work for an extended period on the artist and the personal and collective artistic object. To this end, invites all people involved in any discipline that would fall within the visual arts. The meetings will be bimonthly, distributed in a first stage consisting of the art training, a second where a group show of work carried out in meetings and finally the third stage where exchange exhibitions between the regions participating in the program.

In San Martin de los Andes, have sponsorship activities of the Secretariat of Culture of the Municipality of San Martín de los Andes and the coordination of Paula Giménez Zapiola. In total, the cycle will last 125-hour clock, distributed five matches in three days to begin in November and be completed by mid-2011. Persons interested in responding to the call should contact the e-mail: neuquen.artboomerang @ gmail.com, which provide the necessary details.



CONSTANT DISPLACEMENT

regard to the name given to this project, Fischer said that "the idea of \u200b\u200bthe boomerang comes because the method is to generate a return in the dialogue between artists and institutions promoting training, which in Once back information to all who cross are crossed in each province, thereby seeking to pollinate the look on each person. " In this regard, and efforts are underway with various agencies to implement the program in Resistencia, Corrientes, Formosa and Misiones.

The incorporation of the provinces "is to break paradigms and understand how certain idiosyncrasies that are printed on the work," Fischer concluded. Finally, coach Art Boomerang details: "There are many such projects, but with this particular try to have a global perspective that points to the subjectivities, the premise of interacting with all parties that make the art world."


--------------
Chaco Boomerang Art - In Resistencia Chaco

Organization's Faculty of Arts, Design and Culture Sciences of the Universidad Nacional del Nordeste
communicate that now open the call to participate in the program
Boomerang Art - Federal Program for the Arts In Resistencia Chaco.

Chaco Remember that the call will be open
Boomerang Art Until 20 October.
also corporate videos to walk away from the program.
To receive our terms and conditions for Chaco Art Boomerang write to this box chaco.artboomerang @ gmail.com and we will send you information that may arise. Federal Project

Organizes Arts Faculty of Arts, Design and Cultural Studies of the Universidad Nacional del Nordeste

Find Candy Skittles In New York City

TUÑÓN JOSE LUIS: "The value of art." Paula

SEMINAR "THE VALUE OF ART"

ART WORKSHOP Rada Tilly (Chubut)

LAST MEETING
JOSE LUIS TUÑÓN *
joseluistunon . blogspot.com
http://boladenieve.org.ar/node/8014


What value is asked to art? Case of the last meeting and it must be said: it is a rare value that never finds its measure. A value of arguably worthless. But how? If every so often sell some paintings at exceptional prices? That's right: exceptional. Underscore the exception, which is what he is capable of being reduced to a common measure. These figures border on the free, never clear on which they rest. Sometimes it seems to be the quality of the work, others, the artist's career or his genius, but are only the data needed for that operation does not fall into utter nonsense. To avoid this device is built to assess mentioned at the beginning of the seminar. Apparatus made of museums, galleries, critics and curators to maintain the value of the works, anthology, discoveries, reinterpretations, and tributes to the classics. This weapon that certainty in the value we call art history.

seeks to sustain that value is - paradoxical - Whose function is to prevent its value is set, while keeping open its size. Otherwise the whole system would be fixed, collapsing the exchanges that rely on it. That is, almost everyone. The trade would be based on the notion of maintenance and reemplazararíamos things they no longer fulfill the functions - utility - for which they were created. Which support the role of novelty and value, would be angry and disappointed and would have to redefine the goals, progress and the very notion of change that relies entirely on the dichotomy of old / new.

Why anyone would want to divest an asset that appreciates, or still find it useful? Respuesta: porque hay otro que le gusta más. El gusto es una categoría que se desprende del uso, que es una dimensión que puede generalizarse o del aprecio, que es una variable subjetiva, propia de cada cual. Y sobre el gusto, como se dice, no hay nada escrito. No puede fijarse nada. Se desliza en una dirección que en otros tiempos abría el arte. Hoy son los llamados medios masivos de comunicación. Subrayando los dos términos: masivos y comunicación. En lo masivo se abren brechas al gusto, espontáneas, brutales incluso. Y la comunicación las revela y comunica. Ahí vigila ese género periodístico que se alimenta de la apetencia por la miseria.

Por aquí llegamos a una de las impases del siglo XX and fuel the complaint that we studied. The controversy between art that sought to refine the taste, but putting his courage and his art that sought to spread to as many people.

And is not the only contradiction, there are others so foundational as this: that cutting it sought to establish the value and taste of the nation itself. And it promoted an art that emphasizes the values \u200b\u200bsuited to the taste. The identity for example. But, and here is the paradox, for it is had to resort to forms of non-nationals, are universal, though a nation was considered valuable only if it could be established with them. Paradox: the universal and local, another key we have covered in these meetings.

And more: for example, which seeks to define the national and cultural value, ie as taste worship, while distinguishing the uneducated. National and religious value that opposes the national uneducated. Sarmiento barbarism. Barbarie value recovered later as popular, populist movements, which did not require worship artists to define their tastes. And hovering above all this, the market, turning in their endless spare led by the nose of taste, a modeling taste quite different ways. Because once broken the major forms of taste, this is dispersed in a crazy process where the forms are replaced each other in all directions. Refined than the vulgar, exclusive than the massive, from the intimate to the public, to the obscene chaste, honest as the corrupt. Any of these variables can be combined in the formula of taste that is desperately seeking to keep open that value paradox.

Art is no longer enough to drive this process, neither national or local, or even universal, in the drive unleashed, is insufficient. The same mass of questionable media are able to keep the gap open curiosity and appetite. We usually turn on the TV waiting for the next stupidity that will be put on camera by the unscrupulous in power. And then there is perhaps a return to pastoral tastes like crave millennia. Or the medieval incommunicado, as doomsayers predicted. A universal market stabilized by a liberal democracy - even universal - it's very hard to believe. Especially for those who seek the renewal of love for guns and narcotics, for whom the value is a settled matter.

But what does this have to do with the value of art?! Has .. has, because I remember, the complaint that led to the seminar, said that no one worth anything (you can see the number 371, the magazine Ñ, in the letters section of reader is a verbatim record of the complaint) and the role art and the artist is uncertain. And it's true. Although the figures for museums. But is not pessimism, it's just revision of its role. Its potential is maintained. Be on the show, where art is still capable of summoning crowds, or in the field of intimacy, or communal, or familial, or whatever. The role of art and its value are being redefined. Not that is bad or good happens, and we accept it as the first, the easier it will be change.



* José Luis Tuñón
joseluistunon@gmail.com.ar
My name is Jose Luis Tunon and was born in Rio Gallegos in 1955. I live in Comodoro Rivadavia in 1984 where he worked as an artist and psychoanalyst. I did my initial training in La Plata in both disciplines. Then, these two practices were far apart, are now two ways that allow me to understand the culture and the discursive field that shapes the ways of enjoyment.

As background I quote the different opportunities that the Antorchas Foundation supported my work. And as a turning point, my participation in the Days of Contemporary Art Criticism and General Roca. I exhibit regularly individually, but more often in thematic exhibitions. I got some awards that I think are important and other times forgettable. I am thrilled to think critically about art as writing articles or lectures, most of which remain unpublished.

Call uselessness of art bothers me, what drives me to do that I particularly community interventions. The need to uphold the practice among several has led me to integrate more or less formalized organizations: Singing Seven, meeting of friends dedicated to the support and affection. PORT Cultural Association, whose work set the public agenda - building included - Commodore Cultural Center. And I assumed duties as Assistant Secretary of Culture in the period 2004/2007.

Gay Cruise Areas In Scotland

Cecchi Paul Noce and the RCA Secret is carried out at the Royal College of Art in London. Manifesta

The Royal College of Art in London every year organizes an example involving the Recent graduates of the institution together with artists from very high international reputation as Germany's Richter, Paula Rego, Anish Kapoor, Manolo Blahnik, Alex Katz, Peter Doig, Yoko Ono, Tracey Emin, Grayson Perry, Jake Chapman, Olafur Eliasson, Yinka Shonibare, Sir Peter Blake, John Baldessari, to give a few examples among the many artists and designers who contributed. All artists make works of postcard form and give to the RCA.

The RCA makes a sign with all the works without knowing the artist's name (they are signed on the back) and then sells them all to 45 pounds.

The exhibition ends on November 19 and 20 is for sale. It is a great event every year in London and people queue to buy it (even sleep in tents the previous days)
The works are published and tomorrow November 20 names will be known after the sale!
Here is the page where you can discover!
http://dams.rca.ac.uk/res/sites/RCA_Secret/

videito the BBC
http://www.bbc.co.uk/news/entertainment-arts-11763755
-----------------


http://www.paulacecchi.com/ Paula Cecchi Paul Noce

http://pablonoce.com.ar/