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CANÍBAL (PAC MURCIA 2010): Last post: Francis Alys in Buenos Aires Tucumán

CANÍBAL (PAC MURCIA 2010): Francis Alys

http://www.pacmurcia.es/
info@pacmurcia.es
After consecutive interventions Jimmie Durham, Cristina Lucas, Bruce High Quality Foundation, Kendell Geers, Tania Bruguera and Rivane Neuenschwander, is opened on 16 December ' Rayuela' specific intervention Francis Alÿs (1959, Antwerpen, Belgium) proposed as the finale of Domino Cannibal (PAC MURCIA 2010).

RAYUELA

"Jimmie Veronica eats, eats Jimmie Cristina, Cristina Bruce eats, eats Bruce Kendell, Tanya Kendell eats, eats Rivane
Tania ...

Being the last of the menu, can I touch digest them all?


My participation proposed feedback history Domino Caníbal y consiste en coordinar tres lecturas críticas del proyecto a partir del archivo fotográfico de las intervenciones anteriores.


Para evitar una cómoda lectura meramente cronológica y propiciar una revisión más abierta, aproveché la oportuna coincidencia entre el numero (155) de imágenes oficialmente seleccionadas en el sitio Web del proyecto ( http://www.pacmurcia.es/ ) y el total de capítulos de la famosa novela Rayuela de Julio Cortázar. La referencia al juego del avión/rayuela me pareció muy apropiada en un escenario donde el narrador tira la piedrita a cada uno de los artistas participantes."
                                                                              Francis Alys, December 2010.

The curator, Cuauhtemoc Medina (Mexico City 1965), Cannibal Domino presented as a new exhibition format in which, for a period of twelve months the Board Veronicas host the work of seven artists. From Jimmie Durham (Domino Cannibal who opened last January 22, 2010), six other artists have made their own specific action taken as a starting point the work done by the previous. With Francis Alÿs, Cannibal Domino opens the last of his plays. DOMINO

CANÍBAL is an initiative of the Ministry of Culture and Tourism of the Region Murcia enclosed in the CAP (Contemporary Art Project Murcia 2010).


Francis Alÿs (1959, Antwerpen, Belgium). Lives and works in Mexico.


Selection exposiciones_2010 A Story of Deception, Tate Gallery, London (Touring to Wiels and MOMA in NY.) 2009 Fabiola, National Portrait Gallery, London. Politics of Rehearal, Banco de la Republica, Bogota, Colombia. 2008 Bolero, The Renaissance Society at The University of Chicago, Chicago, Illinois. Fabiola, LACMA, Los Angeles, USA. 8 Bienal de Arte Panama, Museo de Arte Contemporáneo, Panama, Panama. Biennale of Sydney, Sydney, Australia. Gwangju Biennale, Gwangju, South Korea. Fabiola 2007, Dia Art Foundation at The Hispanic Society of America, NY, USA. 6th Mercosul Biennial: The Third Bank of the Rio, Porto Alegre, Brazil. Biennale di Venezia: Think with the Senses-Feel with the Mind, Venice, Italy. Time Present Time Past: 20 Years of Istanbul Biennale, Istanbul Modern, Istanbul. Politics of Rehearsal, Hammer Museum, Los Angeles, California. 2006 The Story of Deception, Patagonia 2003-2006, MALBA, Argentina. The Sign Painting Project (1993-1997): A Revision, Schaulager, Basel, Switzerland. The 2005 Green Line, The Israel Museum, Jerusalem, Israel. Seven Walks, A project with Artangel, 21 Portman Square, London, England. PERFORMA 05. The First Biennial of New Visual Performance Art, NY 2004 BlueOrange 2004: Francis Alys, Martin-Gropius-Bau, Berlin, Germany. Walking Distance from the Studio, Kunstmuseum Wolfsburg, Wolfsburg, Germany. 14th Biennale of Sydney: On Reason and Emotion, Sydney, Australia. Poligrafica Triennial, San Juan, Puerto Rico. The Prophet 2003, National Gallery of Modern and Contemporary Art, Rome, Italy. 4th Bienal de Mercosur, Porto Alegre, Brazil. Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania. 26th São Paulo Biennial, São Paulo, Brazil. 2002 Shanghai Biennale, Shanghai, China. The Leak, Musée d'Art Moderne de la Ville de Paris, Paris, France .

DIDÁCTICAS Visitas: Sabados at 12:00., by appointment by phoning 968 219 099. DOMINO

CANÍBAL
http://www.pacmurcia.es/
info@pacmurcia.es

ROOM VERONICA
Tuesday to Saturday from 10 to 14 h. and 17 to 21 h.
Sundays and holidays from 10 to 14 h.
Veronicas, s / n 30004 Murcia

Raven Riley Kate Playground

Cozumel, ... a fascinating island (with image) my first IRONMAN

Greetings dear readers and visitors I have already

photos of the competition, and here they are:

Cozumel Ironman 2010, November 28 ... 3.8Km Smiw, Bike 180 km, Run 42.2Km

Chankanaab Bay, instead of swimming and bike park

Swim in the crystal clear turquoise waters and coral

2500

crazy that we began in swimming

Cycling, crosswind

Fighting the wind and the damp heat

Beautiful island, really a phenomenal place

The supplies were great, wonderful volunteers


My first marathon, enjoy and suffer in 42Km
the


many emotions, anger eliminated in that cry on arrival

IRONMAN FINISHER

But true is what he writes who introduced me triathlon and a great person, Raul: "the be Ironman is not a goal is a way. "It was a very hard road with many difficulties, but I enjoyed it and that day was the icing; hard way not only for training but for equipment, costs, passage planning, etc.

Many thanks to all who have made this possible.


I hope you enjoy A hug



Gandha

Electric Piano Native Instruments

/ December Agenda Foundation Image Award

»MUSIC
The proclamation of Abya Yala Area reaches Tucumán

The group Abya Yala, who plays Latin American music, will perform for the first time in December in Space Tucumán. This set has more than 20 years of experience. In 1989 they released their first album, "America music and words, "a play with strong indigenous content, with text by Eduardo Galeano, Leopoldo Marechal and proper. In 1993, together with the choreographer Silvia Kaehler, were presented at the Teatro Nacional Cervantes, in adherence to the International Year of the Aboriginal Peoples of the World, proclaimed by the UN and the International Festival organized by UNICEF in Zárate. In 1995 won the Pre-Cosquín based Capital, for best instrumental group.

in 2000 were selected to represent Argentina, together with the Ballet Creole in the Festival of Dance and Music of the ancient kingdom of Arago Castelló (in Valencia, Spain) and the International Folk Festival de Alava (Victoria Gasteiz, Spain), located next tour that class groups in Europe, Asia and Africa. Later they released their second CD, "Man of Earth", which merged American folk rhythms with European rhythms (tarantelas, Celtic music). In 2007 begin recording their third album, incorporating new sounds and rhythms.

touch Abya Yala on Friday 10, 20.30, Tucumán Space. Bono Contribution, $ 20. Concert
The assembly Milange telluric (folklore incognito)

musician based in Buenos Aires Tucuman Leopoldo Deza year dismiss the Tucumán area in front of the instrumental group The assembly Milange quake. Within

folklore called fusion, the band plays their own songs and arrangements on compositions blending folk instruments and music resources and chamber music called "popular."

addition to the musical direction, composition and arrangements, Deza is in charge of piano and flute. The rest of The Milange completed this: Jerome Santillán, bass; Jorge Mockert, percussion and accordion, Paula Peace, choirs and accessories, Maru Radivoy, soprano sax, Diego Damian Acosta, Andean wind instruments, Carlos Michelini, clarinet, Nancy Richter , cello; Patricio Gómez Saavedra, guitars, and Jarevich Natalia Andrea Bonilla and Barbara Strega, on flute.

The assembly Milange quake was presented on Thursday 16, 20.30, Tucumán Space. Bono Contribution, $ 20.
Juan Quintero, the guest for the last game of the year "Lunas del Tucumán"

Two generations of the best Argentine folklore converge in their final year of Tucumán Moon cycle that leads maestro Juan Falu Space Tucumán. The guest will be none other than Juan Quintero, the award-winning artist on several occasions has visited our stage.

member of a new breed of folklorists, Juan "Popi" Quintero has served on various popular music groups and academia. Among his most important records include having written and directed the arrangements for the orchestra music of Argentina Juan de Dios Filiberto. Now part of Aca Seca Trio, and formed a duo with singer Luna Monti, who was awarded the Clarin Revelation in Folklore in 2006.

Throughout this year, a long list of musicians has been part of the Moon cycle of Tucumán: Florencia Bernales, Ramiro Gallo, Marcelo Moguilevsky, Leopoldo Deza and Hilda Herrera, among many others.

Guitarist, composer and teacher, Juan Falu is one of the references fundamental to the music of Argentina. Was honored as part of the country's most important awards: the National Music Prize 2000, awarded by the Ministry of Culture, Clarín Prize in 2001 and 2008 Gardel Prize in 2008 for best CD of the year. His works are part of the repertoire of guitar players from different latitudes and were published in Argentina, Belgium, France and Costa Rica. As a performer, Falu reveals a deep knowledge of the music of their land, projecting with a flight creative and improvisational such, it became defined as a "real-time composer" by guitarist Eduardo Fernandez. Has performed at prestigious venues in over twenty Americas, Europe, Asia and Africa. He directs the World Guitar Festival, considered the largest international meeting of the guitar. He teaches at the Conservatorio Manuel de Falla in Buenos Aires, where he helped create the first Carrera Superior de Folklore y Tango of that city.

Lunas del Tucumán be held on Friday 17, 20.30, Tucumán Space. Contribution voucher $ 20. Other musical events
Space
Tucumán Tucumán
• Singer Alberto Carrillo will present material from his upcoming album on Thursday 9, 20.30, Tucumán Space. Contribution voucher $ 20.

»
Mariana PLASTIC Ferrari exhibits paintings Space
Tucumán
The artist Mariana Tucumán Ferrari opens in a sample of the same name space consists of scenic paintings on paper.

"This is clearly re-appropriated images ... forced to be a simulacrum of themselves: well-known landscapes somewhere. However, just posted to disturb the context of art be so different without claiming to be ... appear to speak of a security buffer, a kind of happiness off ... "Kevin Power, critic (fragment). Mariana Ferrari

opens on 17 December at 18.30 in Space Tucumán. The exhibition will exposed along the current month.

~ Tucumanos in other areas
Sandro Pereira integrates a group show at the Centro Cultural Recoleta

tucumano artist Sandro Pereira, a fervent worshiper of self, part of our collective in the Recoleta Cultural Center. The exhibition of artists Artistic Research Center (CIA) has been the hallmark of Dean Daderko curator, a specialist who lives and works in New York.

Daderko has also cured exhibits for Art in General, Artist's Space, The Kitchen in New York and The Contemporary Art Center in Vilnius, Lithuania. His writings have been from publications such as The Studio Museum in Harlem, El Museo del Barrio and The Australian Centre for Contemporary Art as curator, defending a practice that aims to establish forums for dialogue both critical and productive between artists and audience.

The exhibition will take place from Saturday, December 4 through Sunday, January 23, in rooms 4 and 5 of the Centro Cultural Recoleta (Junín 1930).

Chaile Gabriel Drawings selected for Williams Foundation Prize Drawings
plastic
tucumano Gabriel Chaile part of the selected works under the Williams Foundation Award for Young Artists 2010. The award seeks to promote the development of young artists and give visibility to the emerging production experimental Argentina. The jury is composed of critics and Ana Martínez Quijano Rodrigo Alonso, and by the artist Eduardo Stupía.

Selected works will be exhibited from December 9 in Room 27 of the Centro Cultural Borges (Viamonte and San Martín, 2nd floor).


»THEATRE ~ in other areas
Saverio El Cruel, Roberto Arlt, at the Teatro Nacional Cervantes
text
A fantastic Saverio El Cruel, Roberto Arlt, will be presented this week at the Nacional Teatro Cervantes. Directed by Adrian White, the cast consists of actors in the province of Tucumán selected in the auditions under the Federal Plan for co-productions being conducted by the theater.

From the family of tragic farce, Saverio El Cruel tells the story of a grocer who will be the focus of ridicule by a group of men and women willing to do anything to have a good time. In a constant game between reality and fantasy, the plot unfolds on two levels: the miserable lives of the characters and the fact that these manufactured dream in your mind. The characters struggle to break with the past but, do not end up in conflict with their stereotypical roles and opening cracks in the conventional development of the plot.

The cast is composed of Marcos Acevedo, Sergio Aguilar, Noah Andrade Ruben Avila, Andrea Barber, Daniel Cabot, Daniela Canseco, Andres D'Andrea, Pablo Delgado, Cristina Fiz Lobo, Jorge Garcia, Marcela García Mottes, Liliana Sánchez, Nati vanadium, Daniela Villalba and Oscar Zamora.

The function will be held Friday December 10, at 21, in Room Cervantes María Guerrero Theatre (Avenida Córdoba 1155).


»CYCLE FELLOWSHIP

• The Annual Art Exhibition Space Center, which includes children with special abilities, will be held on Thursday 9 and Friday 17, at 14, with free admission, Tucumán Space.

• The piece "Alice in the wonder" will be performed by the theater group ADISA (Artistas Argentinos disabled), with general direction of Adrian Lazz. The function will be held on Wednesday 15, at 17. 30, with free admission, Tucumán Space. The


hope
Mercedes Viegas

Culture Coordinator Government of Tucuman in Buenos Aires

First Prize Winners

What Does 1st Period Look Like

Best estimates ... I do not write too ago, but today is a reason enough to write.

Rodmy I traveled with my friend to Mexico, the island of Cozumel with one goal in mind: to finish the Ironman Cozumel that would on 28 November this year.

Flights to Cancun Panama to more or less, except a little hard landings, but fine. After waiting too long for the luggage in the aerropuerto, take a van to Playa del Carmen, a place from which you buy the ticket and embarks on a ferry to the island of Cozumel.

We reached the island on Thursday afternoon, after starting the trip at the airport in Quito at 4:30 in the morning. I was tired and a little worried about feeling cold, but the goal would be the race on Sunday. A record number of career and get the chip. Now all was to meet Sunday at "The Beast ".... nothing more than an Ironman.

Ironman triathlon is emblematic of ultra distance in the world, whose distances are 3.8Km swim, 180 km cycling and 42.2 km footrace for a total of 226Km of travel within a limit of 17 hours. It is the pinnacle of ultra distance. The run

very cautious with food, with warm, with water proof, the assembly of the bicycle. And when it was late afternoon when handing the bike in the park Chaakanab, instead of that we would begin the swim and would take the bike. Also we had to leave bags of T1 (swim-bike transition) and T2 (bike-trot transition.) Bike left list, with the correct pressure tires, parts in the back seat, revised for errors and gels and glued to the table for the next day. One last look at the place of swimming, turquoise waters and the encirclement of dolphins jumping and doing somersaults, back to the hotel.

no sleep the night before, with the nerves to the surface with my traveling companion and novice Ironman. Do not know what to expect, we attacked one after the other questions and doubts about the next day.

sounded the alarm and was on D. Which time there was no going back no more to do. A shower, get dressed competition, a sweater, the sandwiches pedyalite armed with a special Need for the 97 Km bike and 21 of the trot. A breakfast, a nutritious breakfast but measured and that tell us that the last bus starts charging people. Putting in a whole wheat bread and scrambled eggs run the bus (by the way heat, lol). Recent board posts sitting and start address.

Check that the bike is in perfect condition, the tires have the expected air pressure, which are the parts in the event of a puncture, leaving the extra clothes in the closet and towards the water, through the marking of the body with the number of competitor. Walking along the pier and into the water, perfect temperature to be banned wetsuit. Clear water, nice place to start swimming.

was the moment of truth, there was nothing else to do but wait for the start, a sea of \u200b\u200bcompetitors ready to face the journey and themselves, to be iron or break on the road. Sounded the game and all that floated in the clear water of Chankanaab coral reef off we went. Aim straight ahead orange buoy which would turn one counter and crowded around.

Before reaching the first buoy I got a kick in the face and swimming goggles that stuns me a bit and damaged something in the nose piece of the glasses begin to leak everywhere. The salt water-filled lenses are no longer clear, burning eyes, but I to bend at the buoy and try to see the next buoy. Saw very little, everything was blurry and my eyes were burning a lot. A stop and adjust the glasses, fix a little piece of the nose and to better align the glasses for less water. To keep swimming, turning buoys, stopping once to remove water that slowly seeps into the glasses. Reach the submarine and a twist, now just flip up the stairs where they end the 3800m swim. One more stop to evacuate water starting to overrun in the lenses of swimming and swimming upstream, going zigzag line with the current against us and ended up swimming.

The sensations were good, the sun was with us since the beginning of alzandose swimming was entirely on a blue sky, it was hot and the humidity was strong. I made the transition bag 2133 (my competitor number) and get the shirt that would make cycling and jogging, helmet and sunglasses. Apply lots of sunscreen and for the bike. Cadillac was there my beautiful, lonely road bike from last generation TT so faithfully and with shoes stuck with their clips. We had to push to the line of ascent to the bike, gain momentum and jumped on the bike to be sufficiently slow to move forward and find one at a shoe buckle set Velkro and cycling.

60km circuit, roughly, strong. An endless plain, no ups and no downs, no option to rest my legs a bit to getting more than halfway crosswind along the eastern side of the island. We landscapes, crashing waves of the sea, Mayan ruins, tropical vegetation, but a stifling humidity. The first round goes well, very good feeling, very hydrating, wetting a lot of head and back to hydrate and refresh the skin. Second round and as usual, it starts to annoy the ever levantarsee no seat, but not much more to do with cycling. People are totally nice, very excited about supporting the athletes ... screaming, clapping, placing speakers to the path ... in short, enjoying the feast of Ironman. Km 97 and get the bag special need: a sandwich that has more nutritional value than giving emocioanl ham, cheese and butter that taste of glory and a moisturizing pedyalite more than gatorade. Last lap on the bike and the pulse must be exactly where to go for your last posts of supply of the bike, hydrate your best and wear sunscreen, all non-stop pedaling.

ends in the town bike path, people excited to see so mad compete and we left the bikes and we go for running shoes. For the transition under the bike without shoes and left them locked in the clips, give the "Caddy" one of the many volunteers who ensured that the event will look and other red handed me my bag of T2. Entered the tent and put on socks, stockings pressure and jogging shoes, leave the helmet in the bag and took the visor to the trot, one last time in transition to put on more sunscreen and for my first marathon.

The marathon consisted of "only" three laps of 14 km from the center and north of the island, before the whole town and away, going towards the airport to the hotel Meliá 7km north of the island. The first 14 km at a normal pace, trotting all the time, good feelings and the exact keystrokes that should point at the trot. Pushing my mind to go, and I realize that the coach was right, the Km 10 of trot the start of the Ironman. Everything starts to hurt, to ask why her head is there. The reason for enduring so much suffering in the race if sitting the same time angry and hurt. Voliva determination is crucial, the head just thinking about coming, to break all bounds and become a finisher personal. FINISHER OR DEATH.

to face the second round and go jogging with more heart and will that leg. The legs and stuck, and came to the half marathon, 205Km of suffering had already passed, I could not give up or falter now that I was missing the 10th part in km (only 21) but how hard the competition in trot. I started walking, feeling that everything is slow, but that desire more. Jogging and walking, mixing both disciplines to spend less time, but to withstand the abuse that my body was undergoing. I was thinking how much I had in getting there, even in what happened if I had to crawl to try to reach.

mind perversely played with me, did you fly in thought but could the determination. Will power makes a finisher. I started the last lap on a paved foot ugly, even though pretty to the eye because a bird in the driveway. I separated and less than 14km from the finish line. Night had already fallen and the weather was good, not cold, warm moisture allowed the tank top is comfortable enough. Each check point to take gatorade, water, coca cola ... nibble a little peanut or prezels, oranges and bananas to keep fuel. The last 7km

thought only to arrive, forcing me to trot even when the pulse had fallen and did not want to go jogging again, at a good pace. It got to the dock and the city, a beautiful place that has the island with cruise ship docked in the port ... were now only two thousand meters to the finish line. I was filled with feeling of knowing that he was to achieve greater personal achievement he had faced, took from the pockets of his jersey without Sleeveless my two flags, the tricolor from Ecuador and my Jolly Rogers, the pirate flag that always accompanied me. Sheltered myself with the two banners bearing and jogged the last mile, people are encouraged and harangued ... children stretched out their hands to collide with mine. A group of women shouted: "We are truly iron."

E U-turn rather than for returning was my turn to enter the site reserved for those who We ended, encouraging crowded bleachers, a giant screen where I saw the speakers arrived and an animator who announced: " Gandhi Ecuador Vela, and remember that now you are a IRONMAN !!!". All worth it, the last 2km of 226 thousand meters of suffering were worth totally worth it. Finisher crossed the line, even with a bad time, but I broke something that is monumental to the standards of which we like ultra long distances.

am the captain of my destiny, and will fly all the time with the aim of finisher and I did, not the best preparation but with a lot of heart and willpower.

This first experience really showed me that "Impossible is Nothing" and I will face the same forces that I come along. An Ironman is like life, long and hard, with parts that we like more than others, but always worth it go and fight.

I hope they have a great time and I photos, which hang when I send them to the organization. A hug




IronGandho

Tasco Riflescope With Rangefinder

Federico Jorge Klemm - Isologotype - Presentation of the publication

PETRONIO
PAULA CHAVES Runner PATRICIO

Ricardo Blanco with the winners selected



SEBASTIAN RODRIGUEZ / LEANDRO Aizenberg / CAROLINA NEGRI / Patricia Chaves / Leonardo Callegari / LAURA Tallarico / PAULA PETRONIO / SEBASTIAN GALLO / ESTUDIOMÍNIMO

Jury selection and awards
RICHARD WHITE / EDGARDO GIMENEZ / ENRIQUE LONGINOTTI / MARIN MATILDE

How Much To Weave Extensions Cost

Cabildo Open Art.

In its sixth year, Art Week Rosario joins the Bicentenary celebrations and unfolds in two stages. The first part, which took place in May this year, was the convening of a historic Art Town Meeting, which was attended and made presentations regarding the various national art scenes, thus forming a snapshot of the current state of the art in our country. In the second stage, given the quality of the presentations, we decided to translate them into a publication to launch a new collection of editions Castagnino + macro dedicated to the theory and art criticism.



Thus, a fundamental part of this 6SAR/10, the publication presents the Open Meeting of Art, historical edition which rescues all the presentations that were delivered during the conference, to be a single document that provides an overview of different views on the current national artistic field, told in words of references and undisputed protagonists.



The presentation ceremony is conducted under the traditional Bar Cairo on Friday November 19, 2010 with the presence of provincial authorities, municipal managers of institutions and members of the artistic community .. Also present were representatives of the various locations Santa Fe participants of previous editions of Art Week which, in turn, relate their experiences in a special chapter of this publication .



also the Director of the Museum Castagnino + macro with the editorial board publicly announced new guidelines to be implemented during 2011, regarding the collection and the launch of new editorial proposals.

Those interested can access the digital version publication on the website of Arts Week. Http://www.semanadelarte.org.ar/

Plans For Karts And Buggys

BOOMERANG ART PROGRAM FOR THE ARTS FEDERAL

BOOMERANG ART PROGRAM FOR THE ARTS FEDERAL

Curator Daniel R. Arch

Tel 03722-423221

Fischer

Cel.03722-15331616

daniel.r.fischer @ gmail.com

BOOMERANG ART: A PROPOSED ACADEMIC AND FEDERAL

When the architect and curator Daniel Fischer launches new project, the first thing that stands out is the need for the professionalization of art in the region. That is why the coaching Boomerang Art "which he coordinates and presents these days the northeast, is part of these lines of analysis, criticism, dialogue and production of contemporary art with academic content.

The growing career of this young Chaco has taken him to explore different aspects related to the world of skin art curator, artist and manager, moving to places like the UK or through scholarships funded by the Cultural Office Embassy of Spain, Fundación Volpe, Antorchas Foundation, among others. Through this global view of the artistic conception he says: "When you start working on major events felt that the activity is not very professionalized in the country. I noticed that artists in Argentina fail to meet performance standards or have in Europe and I think this is due to production methods and systems of work to implement, "he said.

In this situation, the architect proposes to "Art Boomerang" encourage the formation and the production and critical analysis of current artistic trends, nurturing and producing new maps and views on culture. In this line, the project provides support and visibility to artists from around the country through linkages and networks among critics, artists, curators, institutions and exhibition spaces.


--------------- CURRENT Boomerang Art - Federal Program for the Arts

recall requirements
corrientes.artboomerang POSTED AT
CV @ gmail.com , Personal Letter
because you want to participate in the program.
10 images of their work or works (from different periods or what it generates)

VIDEOS
Clikee here to view the video presentations video
audio Boomerang Art Program
For more information about the program can communicate
Monday FRIDAY 9 to 13 and from 17 to 20, to:

* Coordination and Support via mailing: Prof.
Ana Maria Goycoechea

Cultural Management Telephone: 03722 - 1540-7178
corrientes.artboomerang @ gmail.com

Visual Arts Coordinator Fernanda Toccalino

artesvisualescorrientes@gmail.com
Phone: 03783 to 422786


Federal Project for the Arts - Art Boomerang
Current Sponsor: Secretariat of Culture of the Province of Corrientes. Join
: Association
Adapthes

----------------
FORMOSA Boomerang Art - Federal Program for the Arts

OPEN CALL UNTIL 15 NOVEMBER FORMOSA Formosa

Clikee here
Boomerang Art formosa.artboomerang @ gmail.com


VIDEOS
Clikee here to view the video presentations video
Boomerang Art Program
http://www.youtube.com/watch?v = MwDIutRMHYY
Formosa Art Boomerang video

http://www.youtube.com/watch?v=6dajAMkrK00


-----------------
LOS ANDES, NEUQUÉN. - ART BOOMERANG Federal Program for the arts.

Under the auspices of the Secretariat of Culture of the Municipality of San Martín de los Andes Neuquén reports be part of the Federal Program for the Arts "Art Boomerang", for which we are calling for visual artists Neuquén and areas of influence, to be submitted to the invitation to participate in it.

The program is designed to refine, articulate and disseminate the work of artists in their local context and in other territories. Also create institutional networks which will enable a specific support for the development of the visual arts.

five games will be developed thought to foster the development of works and critical analysis of the productions, a later local show and an exhibition in another province for the promotion of artists coordinated by curator Daniel Fischer Architect.

The program began in Neuquen, will be held in October.

Until October 15, 2010 will open registration to participate in the program Neuquén Boomerang Art.

Interested parties may request the terms and conditions neuquen.artbooemrang @ gmail.com, or contact the coordinator Paula Giménez Zapiola 02944-15569310 9 to 12

BOOMERANG ART: A PROPOSED ACADEMIC AND FEDERAL

When the architect and Curator Daniel Fischer presents his new project, the first thing that stands out is the need for the professionalization of art in the region. That is why the coaching Art Boomerang "he coordinates and presents these days by the country's northeast, is part of these lines of analysis, criticism, dialogue and production of contemporary art with academic content.

The growing career of this young Chaco has taken him to explore different aspects related to the world of skin art curator, artist and manager, moving to places like the UK or through scholarships funded by the Cultural Office Embassy of Spain, Fundación Volpe, Antorchas Foundation, among others. Through this global view of the artistic conception he says: "When you start working on felt great events that the activity is not very professionalized in the country. I noticed that artists in Argentina fail to meet performance standards or have in Europe and I think this is due to production methods and systems of work to implement, "he said.

In this situation, the architect proposes to "Art Boomerang" encourage the formation and the production and critical analysis of current artistic trends, nurturing and producing new maps and views on culture. In this line, the project provides support and visibility to artists from around the country through linkages and networks among critics, artists, curators, institutions and exhibition spaces. ADDING



TERRITORIES

Thus, continuing the idea of \u200b\u200bexpansion in the country and after the program was implemented successfully in Bariloche, Neuquén province in San Martin de los Andes, is the second province Patagonian region that receives the call to participate in the project. It will end on October 20, term which will select a limited group of artists who will perform the various steps proposed in this federal program for the arts.

The series aims to work for an extended period on the artist and the personal and collective artistic object. To this end, invites all people involved in any discipline that would fall within the visual arts. The meetings will be bimonthly, distributed in a first stage consisting of the art training, a second where a group show of work carried out in meetings and finally the third stage where exchange exhibitions between the regions participating in the program.

In San Martin de los Andes, have sponsorship activities of the Secretariat of Culture of the Municipality of San Martín de los Andes and the coordination of Paula Giménez Zapiola. In total, the cycle will last 125-hour clock, distributed five matches in three days to begin in November and be completed by mid-2011. Persons interested in responding to the call should contact the e-mail: neuquen.artboomerang @ gmail.com, which provide the necessary details.



CONSTANT DISPLACEMENT

regard to the name given to this project, Fischer said that "the idea of \u200b\u200bthe boomerang comes because the method is to generate a return in the dialogue between artists and institutions promoting training, which in Once back information to all who cross are crossed in each province, thereby seeking to pollinate the look on each person. " In this regard, and efforts are underway with various agencies to implement the program in Resistencia, Corrientes, Formosa and Misiones.

The incorporation of the provinces "is to break paradigms and understand how certain idiosyncrasies that are printed on the work," Fischer concluded. Finally, coach Art Boomerang details: "There are many such projects, but with this particular try to have a global perspective that points to the subjectivities, the premise of interacting with all parties that make the art world."


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Chaco Boomerang Art - In Resistencia Chaco

Organization's Faculty of Arts, Design and Culture Sciences of the Universidad Nacional del Nordeste
communicate that now open the call to participate in the program
Boomerang Art - Federal Program for the Arts In Resistencia Chaco.

Chaco Remember that the call will be open
Boomerang Art Until 20 October.
also corporate videos to walk away from the program.
To receive our terms and conditions for Chaco Art Boomerang write to this box chaco.artboomerang @ gmail.com and we will send you information that may arise. Federal Project

Organizes Arts Faculty of Arts, Design and Cultural Studies of the Universidad Nacional del Nordeste

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TUÑÓN JOSE LUIS: "The value of art." Paula

SEMINAR "THE VALUE OF ART"

ART WORKSHOP Rada Tilly (Chubut)

LAST MEETING
JOSE LUIS TUÑÓN *
joseluistunon . blogspot.com
http://boladenieve.org.ar/node/8014


What value is asked to art? Case of the last meeting and it must be said: it is a rare value that never finds its measure. A value of arguably worthless. But how? If every so often sell some paintings at exceptional prices? That's right: exceptional. Underscore the exception, which is what he is capable of being reduced to a common measure. These figures border on the free, never clear on which they rest. Sometimes it seems to be the quality of the work, others, the artist's career or his genius, but are only the data needed for that operation does not fall into utter nonsense. To avoid this device is built to assess mentioned at the beginning of the seminar. Apparatus made of museums, galleries, critics and curators to maintain the value of the works, anthology, discoveries, reinterpretations, and tributes to the classics. This weapon that certainty in the value we call art history.

seeks to sustain that value is - paradoxical - Whose function is to prevent its value is set, while keeping open its size. Otherwise the whole system would be fixed, collapsing the exchanges that rely on it. That is, almost everyone. The trade would be based on the notion of maintenance and reemplazararíamos things they no longer fulfill the functions - utility - for which they were created. Which support the role of novelty and value, would be angry and disappointed and would have to redefine the goals, progress and the very notion of change that relies entirely on the dichotomy of old / new.

Why anyone would want to divest an asset that appreciates, or still find it useful? Respuesta: porque hay otro que le gusta más. El gusto es una categoría que se desprende del uso, que es una dimensión que puede generalizarse o del aprecio, que es una variable subjetiva, propia de cada cual. Y sobre el gusto, como se dice, no hay nada escrito. No puede fijarse nada. Se desliza en una dirección que en otros tiempos abría el arte. Hoy son los llamados medios masivos de comunicación. Subrayando los dos términos: masivos y comunicación. En lo masivo se abren brechas al gusto, espontáneas, brutales incluso. Y la comunicación las revela y comunica. Ahí vigila ese género periodístico que se alimenta de la apetencia por la miseria.

Por aquí llegamos a una de las impases del siglo XX and fuel the complaint that we studied. The controversy between art that sought to refine the taste, but putting his courage and his art that sought to spread to as many people.

And is not the only contradiction, there are others so foundational as this: that cutting it sought to establish the value and taste of the nation itself. And it promoted an art that emphasizes the values \u200b\u200bsuited to the taste. The identity for example. But, and here is the paradox, for it is had to resort to forms of non-nationals, are universal, though a nation was considered valuable only if it could be established with them. Paradox: the universal and local, another key we have covered in these meetings.

And more: for example, which seeks to define the national and cultural value, ie as taste worship, while distinguishing the uneducated. National and religious value that opposes the national uneducated. Sarmiento barbarism. Barbarie value recovered later as popular, populist movements, which did not require worship artists to define their tastes. And hovering above all this, the market, turning in their endless spare led by the nose of taste, a modeling taste quite different ways. Because once broken the major forms of taste, this is dispersed in a crazy process where the forms are replaced each other in all directions. Refined than the vulgar, exclusive than the massive, from the intimate to the public, to the obscene chaste, honest as the corrupt. Any of these variables can be combined in the formula of taste that is desperately seeking to keep open that value paradox.

Art is no longer enough to drive this process, neither national or local, or even universal, in the drive unleashed, is insufficient. The same mass of questionable media are able to keep the gap open curiosity and appetite. We usually turn on the TV waiting for the next stupidity that will be put on camera by the unscrupulous in power. And then there is perhaps a return to pastoral tastes like crave millennia. Or the medieval incommunicado, as doomsayers predicted. A universal market stabilized by a liberal democracy - even universal - it's very hard to believe. Especially for those who seek the renewal of love for guns and narcotics, for whom the value is a settled matter.

But what does this have to do with the value of art?! Has .. has, because I remember, the complaint that led to the seminar, said that no one worth anything (you can see the number 371, the magazine Ñ, in the letters section of reader is a verbatim record of the complaint) and the role art and the artist is uncertain. And it's true. Although the figures for museums. But is not pessimism, it's just revision of its role. Its potential is maintained. Be on the show, where art is still capable of summoning crowds, or in the field of intimacy, or communal, or familial, or whatever. The role of art and its value are being redefined. Not that is bad or good happens, and we accept it as the first, the easier it will be change.



* José Luis Tuñón
joseluistunon@gmail.com.ar
My name is Jose Luis Tunon and was born in Rio Gallegos in 1955. I live in Comodoro Rivadavia in 1984 where he worked as an artist and psychoanalyst. I did my initial training in La Plata in both disciplines. Then, these two practices were far apart, are now two ways that allow me to understand the culture and the discursive field that shapes the ways of enjoyment.

As background I quote the different opportunities that the Antorchas Foundation supported my work. And as a turning point, my participation in the Days of Contemporary Art Criticism and General Roca. I exhibit regularly individually, but more often in thematic exhibitions. I got some awards that I think are important and other times forgettable. I am thrilled to think critically about art as writing articles or lectures, most of which remain unpublished.

Call uselessness of art bothers me, what drives me to do that I particularly community interventions. The need to uphold the practice among several has led me to integrate more or less formalized organizations: Singing Seven, meeting of friends dedicated to the support and affection. PORT Cultural Association, whose work set the public agenda - building included - Commodore Cultural Center. And I assumed duties as Assistant Secretary of Culture in the period 2004/2007.

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Cecchi Paul Noce and the RCA Secret is carried out at the Royal College of Art in London. Manifesta

The Royal College of Art in London every year organizes an example involving the Recent graduates of the institution together with artists from very high international reputation as Germany's Richter, Paula Rego, Anish Kapoor, Manolo Blahnik, Alex Katz, Peter Doig, Yoko Ono, Tracey Emin, Grayson Perry, Jake Chapman, Olafur Eliasson, Yinka Shonibare, Sir Peter Blake, John Baldessari, to give a few examples among the many artists and designers who contributed. All artists make works of postcard form and give to the RCA.

The RCA makes a sign with all the works without knowing the artist's name (they are signed on the back) and then sells them all to 45 pounds.

The exhibition ends on November 19 and 20 is for sale. It is a great event every year in London and people queue to buy it (even sleep in tents the previous days)
The works are published and tomorrow November 20 names will be known after the sale!
Here is the page where you can discover!
http://dams.rca.ac.uk/res/sites/RCA_Secret/

videito the BBC
http://www.bbc.co.uk/news/entertainment-arts-11763755
-----------------


http://www.paulacecchi.com/ Paula Cecchi Paul Noce

http://pablonoce.com.ar/

Wedding Bubbles Wording

8, the European Biennial of Contemporary Art in Buenos Aires Tucumán

9th October 2010 to January 9, 2011.


Official Site
www.manifesta8.es / http://www.manifesta.org/


Note related
Salad creative insolence by PABLO LEON for The Country
see note>>> ;>

The Artillery Barracks Murcia, scene of Manifesta 8 - Ilya Rabinovich

_______________________________________
biennial structure
For 100 days, Manifesta 8 will take place in the cities of Murcia and Cartagena in historic buildings, museums, unconventional spaces and various media channels communication. Manifesta 8 is led by three independent curatorial collective, each of which will develop a curatorial project itself as a contribution. The groups are ACAF (Alexandria Contemporary Arts Forum), CPS (Chamber of Public Secrets) and tranzit.org.

ACAF - Alexandria Contemporary Arts Forum, a question arises: How can anyone genuinely touching art project sophisticated random complex web of life? OVERSCORE proposed response (deletions), a multifaceted project that maintains its consistency with the logic of an interface created especially for it and called The Theory of Applied Enigmatics (theory enigmática aplicada).

Comisario: Bassam El Baroni / Comisario asociado: Jeremy Beaudry / Asistente de comisariado: Yolanda Riquelme García.

Artistas: The Action Mill / Gonzalo Ballester / Lene Berg / Michael Paul Britto / Pablo Bronstein / Ergin Çavuşoğlu / Common Culture / Céline Condorelli / Willie Doherty / Juan Downey / Sherif El-Azma / Alfonso Escudero / Simon Fujiwara / Ryan Gander / Melanie Gilligan / Nav Haq / Ann Veronica Janssens / Jeleton / Mahmoud Khaled / Hassan Khan / Irene Lucas & Christoph Euler / Suhail Malik / nOffice / Ana Martínez / Rosell Meseguer / Metahaven / Nástio Mosquito / Charles Mudede / Kenny Muhammad & Adam Carrigan / Lorraine O'Grady / Olivia Plender / Wanda Raimundi-Ortiz / Jasper Rigole / Red 76 / Alexandre Singh / Jean-Marc Superville SOVÁK / Take to the Sea / Mariusz Tarkawian.

CPS - Chamber of Public Secrets. Through the critical use of media production, documentary filmmaking, journalism, art and aesthetic research, the curatorial project of CPS, "THE REST IS HISTORY? (The rest is history?, Deals and question the structures that define today's reality and its history.

curatorial team: Khaled Ramadan & Alfredo Cramerotti / Assistant commissioner: Rian Lozano of Pola.

Artists: AGM / Mounira Al Solh / Abed Anouti / Esref Armagan / The ARTS ASSEMBLY / Michael Baers / Ghassan Ben Jeddou / Brumaria / Filipa César / Danilo Correale / Anders Eiebakke / Aida Eltorie (with Fateen Abdel Wahab, Dalia Neis, Sergio Leone, Bassem Yousri, Naiza Khan, Pauline M'Barek, Jan Ijas, Aissa H. Deebi, Ghamkin Saleh, Madeline Djerejian, Yto Barrada) / Marcelo Expósito & Veronica Church / Thierry Geoffroy-Colonel / Laurent Grasso / Khaled Hafez / Ralf Homann / Erlea Maneros Zabala / news: Renée Ridgway & Rick van Amersfoort / Angel Nevarez & Valerie Tevere / Fay Nicolson (in collaboration with Rasheed Araeen, Mark Ashurst, Katerina Gregos, John M. Kennedy, Huda Smitshuijzen, Alex Vesudevan) / Nothing Prlja / Ariel Reichman / Maria Noise / David Rych / Nikolaus Schletterer / Michael Takeo Magruder / Stefanos Tsivopoulos / Wooloo (in collaboration with Gema Alava, Helidon Gjergji, Pedro Guirao, Clarinda Mac Low, Matthias Neumann) / Raed Yassin.

tranzit.org. If asked about the conventions of the group exhibition, CONSTITUTION FOR TEMPORARY DISPLAY (Constitution for a temporary exhibition) of tranzit.org is the result of a collective thought about the potential for self-constituted space, shaped by the aesthetic conditions, social and political , a space where artists and curators work open to reflection, imagination and reprocessing.

curatorial team: Vít Havránek, Zbyněk Baladres, Dóra Hegyi, Boris Ondreička, Georg Schöllhammer / Assistant curator: Anna Pahissa Deulofeu.

Artists: Basma Alsharif / Babi Badalov / Neil Beloufa / Erick Beltrán / Igor & Ivan Buharov / Banu Cennetoğlu & Shiri Zinn / Boris Charmatz / Loulou Cherinet / Heman Chong / Kajsa Dahlberg / Craig David / Stephan Dillemuth / Carla Filipe / Peter G. Romero-File FX / Alexandra Galkina / Karl Holmqvist / Sung Hwan Kim / Adela Jusic / Mathieu Kleyebe Abonnenc & Sarah Maldoror / Darius Mikšys / The Otolith Group / Bouchra Ouizguen / Emily Roysdon / Ruti Sela / Catarina Simão / Tomáš Vanek / Martin Vongrej / Tris Vonna-Michell / Tanja Widmann.

Education: Manifesta 8 special attention to educational activities. It has established a special mediation program in art to investigate and reflect with our visitors about the works and concepts presented in Manifesta 8. During opening hours guided tours in English, English, Arabic, French, German and Italian, as well as a range of special projects, educational materials and activities for schools and students of art. www.manifesta8.es/medular . OCTOBER

Unusual Design Suitcases

. Juliet Ruiz in Buenos Aires Photo and more

Buenos Aires Photo



The "quick picture" of Juliet Ruiz in the 6th edition of Buenos Aires Photo

Fast-paced and daring, the work of artist Juliet Ruiz Tucuman can be seen at the fair Buenos Aires Photo, which will run from 28 to 31 of this month at the Palais de Glace.

; ; Stand of the art production Rolf Ruiz
Art exhibit Hidden Garden series, produced by photo-etching in motion that plays with a high speed image captures the lens of a camera. Although this is only the beginning of his work, then use the etching technique embodied in different metals. In his work, the art teacher recovered parts of the province of Tucuman think might miss, like cottages, landings and scenery cane year after year are more urbanized.

Ruiz's participation will be in the framework of the institutional presence of the art production Rolf Art, in the sixth edition of Buenos Aires Photo sustain artistic matrix interior.

Draft Rolf exhibition is to bring Art Acculturation and the languages \u200b\u200bof visual arts photography: photography black and white - color photo, photography with audio, photo-engraving, and photo ceramic. It also presents the contrast and the combination of large format, medium and small. In addition to Ruiz, are involved in this project the artists Ananke Asseff and Celeste Martinez. Buenos Aires Photo

bring together more than 30 galleries from seven countries in America and Europe. Will be open from 28 to 31 October, 13-21, in the Palais de Glace (Posadas 1725).


Lebenshon
Foundation Works in Bethlehem Romero Gunset Lebenshon
Foundation
LANDSCAPE Series Titled A - 3D, Belén Romero Gunset presents an unprecedented exhibition of paintings made during this year.

"Five years ago I am developing a series of landscape paintings where the engine is my reflection on the world. Pinto as ontological reflection.

and I feel disturbed by the mystery that holds each stone, cloud, tree, voice, shade, color. My inability to transcend my limiting language. Pinto

landscapes can remember, I see I think, build and imagine. Another way to be of reality that is not visible every day. "

The exhibition was inaugurated on Tuesday 19 October, Lebenshon Foundation (General Horn 238). Space

Tucumán
Marisa Blasco Elena Rossini and
\u0026lt;\u0026lt;\u0026lt;see sample>>>>

"The Language of Painting" is called the sample to women artists Marisa Elena Blasco Rossini and presented this month in space Tucumán.

Marisa

Rossini Elena Blasco

"Someone comes, not me, and declares:" I am interested in the language of painting. "

anyone, yes I am, thinks: "I am interested in Japanese gesture painting"

Someone who is my friend tells me: "The city is nature," I read Baudelaire.

Please understand: the speaker is unmoved, remained motionless during the course of his sentence, being careful not to make any gesture.

Consider: during the course of my work I have tried to give credibility to the painting, as did those who for one reason or another decided to become familiar with images Japanese and culture.

I remember: in my mapping, in your layer of veils. The painting is what matters.

just comes and announces: "I am interested in the language of painting '."

"The Language of Painting" will be open throughout the month of October, from 9 to 18 in Space Tucumán.

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secret drawings of Francis Bacon, through the eyes of Sosa Horacio Cordero, a close friend of the artist. CYCLE

see sample>>>>

"One day that will make history" - This could be defined the conference organized on 21 October by Argentina Cultural Industries and the Comptroller General's Office, where for one week, forty of the drawings exhibit extraordinary Christian Collection Ravarino, "La Punta del Iceberg" curated by Edward Lucie-Smith and Massimo Scaringella . This collection, whose authenticity-and supported-has been questioned for more than ten years, consists of drawing independent, intense and essential, true works of art that are an inner reflection, a look back performing on one's own Francis Bacon, which is almost the last stage.

But what is unique about this day is not just the fact that we may discover little-known drawings, or that is being given in first in Buenos Aires and throughout Latin America. What makes it unique is that we walked through the eyes of those who was one of the great friends of Bacon, one of the few to the painter "counted on the fingers of one hand" ... the friend with whom he shared anecdotes , partying, art, moods, life and even the friend who called to identify his body lifeless on a night in 1992, Madrid. It is, ultimately, the writer, painter and sculptor of international fame Horacio Sosa Cordero.

conversation with Horacio Sosa Cordero

"By pure chance, I came face to face with my friend talking from their strokes, from a previously unknown work for me and finally came to light, it deserves is in the best museums in the world to the delight of all. " Sosa Cordero said. After examining each, we offered to give a talk about it, gradually deepening the work, personality and friendship that joined Francis Bacon for forty years. It is he who takes us inside, then the life of one of the most brilliant artists of the century XX. He, along with Francis Bacon, were those who made this day a day "most historic" .

conversation with Horacio Sosa Cordero




You, Horacio Sosa Cordero, was a close friend of Francis Bacon, the proof is, the portraits he made of you. How did this friendship? And how would you describe Bacon?

A Francis I met him in the 60's, as a young artist living in London. We had a mutual friend, David Sylvester, and so began a great friendship.

What was Bacon? He was a puzzling, unpredictable, charisma ... but also very bad temper, especially when asking him questions he did not like. For example, you could not talk about painting, although the great whom he admired, Velazquez, Picasso or our good friend Alberto Giacometti. Anyway, it was puzzling, unsociable, irritable, representing all points: it could make a scene before the Queen of England or be a true gentleman of a vagabond. And above all, was a close friend of his friends. Now that I look at this late self-portrait of his, made in 1980, I remember I once asked: "Why always so many self-portraits, Francis?". And he answered: "And ... what do you want? No I have many people to paint, I know many people. Furthermore, with this face pudding-face that I have ... so I get. "



The attribution of the drawings in this exhibition of Francis Bacon has been the subject of controversy for more than ten years, especially following the acceptance general that "Bacon painted only, not draw. " What is your opinion?

First of all, it is not an opinion. And I can not speak of "attributing" the drawings to Bacon, as an "attribution" implies that one is not sure. And here, "and this is a fact we are dealing with authentic drawings of Bacon, and that's not debatable, nor is arguably the fact that he himself drew.

The great confusion about their drawings the artist created, Michael Ayrton who wrote a note Burlington Magazine Review of Art, which states that "Bacon could not draw.", It said one critic, a mediocre artist. Therefore, one day, Bacon is this street artist, and very angry, scolds him, saying: "And you do know if I draw?".

drawing course, only most of the time were stored in folders (could not teach them all a commitment I had with some commercial galleries), or broke and left abandoned in their "brothel" atelier in London. His studio: that place that I was privileged to attend almost daily, as people who visited him could count only on the fingers of one hand.

Turning to the drawings, Francis Bacon makes more than 300, you might call "drawings secrets "of Francis Bacon, as there are" secret drawings of Leonardo Da Vinci, Michelangelo Buonarroti, or Caravaggio. And there are drawings that gives to his friends and lovers. And Ravarino, in this case, is the repository of all these drawings that Bacon drew, either in his studio in London or Bologna, Venice or elsewhere, in all those trips he made to Italy.

It is definitely an honor to watch this collection of Christian Ravarino these "drawings secrets' of his own. This is a sample that could be in any international museum like the Metropolitan Museum, the Tate Gallery or the Louvre. But today is here in Buenos Aires, becoming a first for Latin America.



"would highlight some of the drawings in the collection?

First of all, I should say that drawings are suddenly and rapidly implemented, and which affords a reflection in his works, a return to consistent themes: self-portraits and portraits of the crucifixion, the Popes ... De Indeed, the representation of Pope Innocent X after Velazquez, is a constant in the work of Francis Bacon, datándose his first painting about 1947. This drawing in particular, carried out between 70-80, is a masterpiece where you can see all consequences of his earlier paintings, as seen in the rest of the collection: the nervous character of its lines, strains, simple compositions, their atmospheres, the hint ... It reminds me of when asked about his painting, to he answered me: "Horace, my painting is, above all, in a game. And at the chance. And in pure intuition. The game, and chance, and how to capture the look with a sum of sensations. " Bacon's words.



could say that Bacon's work was steeped in irrational feelings in force contained in intuition, "fate", perhaps. But ... what about your life?

Francis Bacon was always surrounded by fate, as he said. All his best friends and lovers were dying one after another. And so it was falling, day after day, year after year, alone. Therefore, in his enigmatic life, he always said "I'm surrounded by death." I am one of the few friends left alive Bacon.

He loved life, casino, chat rooms, fine dining, drinking, partying, bars ... I remember, for example, the first trip he took to Madrid, which he did with me. "Horacio, take me to Spain." And there we were, because he loved bullfights. Then he was in London, Paris I, and we are right on Madrid. From then took the plane and traveled many times to Madrid, taking forever to visit the Prado and watch their favorite painters: Goya, Velazquez and Picasso, in his last trip, in 92, went to Madrid together with his friend John Edward to attend an extraordinary exhibition of Velazquez. But he had a heart attack and he was interned in a clinic ... And he was never practicing or stepped on a church, put it in the clinical care of two nuns .... Well, there it dies. John Edward phoned me to Paris, and traveled to Madrid to identify the body and fix all those things that need to be addressed in such circumstances, as unpleasant and sad, being a friend.



How would you rate this collection of drawings of Bacon? Why is it so important?

believe that these drawings are of vital importance for the art and will open new avenues for young artists. Not only are important for the quality and performance, but because they mark the last period of Francis Bacon, in which he made the drawings with great thought and courage by checking all your work done earlier. I will say a few words of Bacon, because Bacon painting, or drawing, which was made- was a game. I will answer with these words of Francis: "All art is now a sort of game in which the man is distracted. And it's always good to say so: quite a game. I think in that sense, things have changed, and what is really fascinating is that this game will be harder for the artist, it will need to further deepen the game to make it something good. " Bacon's words, which are a great lesson for new artists and art adventure, XXI century

Horacio Sosa Cordero Spring 2010

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LATIN AMERICAN ART: Art and Activism in Argentina

Art and Activism in Argentina. Mesa discussion at the European University of Madrid (Campus de Villaviciosa de Odon, Edify, Graduate Hall).
Date: October 25, 2010. Of 12.30 h. to 14.30 h.

Participants: Ms. Carolina
Golder, visual artist, member of the Grupo de Arte Callejero (GAC) of Buenos Aires and professor at the Instituto Universitario Nacional de Arte in this city (IUNA). Ms. Liliana di

Black, visual artist, member of the group Urbomaquia (artists without a net) and professor at the Universidad Nacional de Córdoba (UNC)

D. Leo Ramos, cultural architect and manager of the Media Museum of Resistance.

art situation in Argentina is substantially than the one we live in Spain and therefore the implications for artists and architects to the defense of human rights and civil society has a much higher degree of involvement than we're used to in Europe.

The three guests, who will discuss their approaches and show their most iconic works, have contributed to the American phase of the research project Interactions (post) Election, driven by the European University of Madrid and led by Dr. D. Joaquín Ivars, director of the Department of Art and Design University. They are in Spain to participate in the Global Network Conference for citizen participation, organized by the Chamber Parpalló of the Diputación de Valencia, and the proposed Arts, Culture and deception that Domingo Mestre, professor at the Universidad Europea de Madrid, presented the same day at the Museo Nacional Centro de Arte Reina Sofía.

Cookies With Added Fiber

Alicia Candiani and Andrea Juan at the 4 International Art Biennale Beijing

The National Museum of Arts of China opened on 20 September the 4th International Biennial of Art in Beijing, this year the theme was the Environment, Art and Man. The shipment consisted of Argentina and Andrea Candiani Alicia Juan digital work and photography.

; ; Andrea Juan and Alicia Candiani in Beijing.
The exhibition features works by over 500 artists from 86 participating countries and Andrea Juan received the Biennial Award for excellence in the work.

Expo Shanghai 2010
From October 2 presents the sample Andrea Juan Antarctica Project 2005/2010 in the Argentine Pavilion of Expo 2010 Shanghai will open until the close of the Expo on October 31.

The exhibition is composed of different series of photographs of 100 x 150 cm carried out through performances and video installations in Antarctica between 2005 and 2010. The project is based on climate change research conducted by scientists from the National Antarctic Directorate.

Antarctica Project in Beijing.

The show, which is an itinerant, will be presented on October 22 (parallel to the Expo), the National Center for the Performing Arts, Beijing. Then it will display at the National Library and the University of Beijing UIBE until mid-2011.