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Reality and Utopia shows 200 years of Argentinean art: an overview from this

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The Reality and Utopia shows 200 years of Argentine art: a view from the present, curated by Diana Wechsler, will be open to the public until November 14, 2010 in

Academy of the Arts Berlin (Akademie der Künste based Pariser Platz), compared to the iconic Brandenburg Gate.

works of over 70 modern and contemporary artists from Argentina.

the exhibit, among others, the following works of Argentine artists: Roberto Aizenberg, Carlos Alonso, Luis Fernando Benedit, Antonio Berni, Oscar Bony, Horacio Coppola, Victor Consulate use, Ernesto Deira, Juan Carlos Distefano, Juan Doffo, Hernán Dompé , Diana Dowek, Ana Eckell, Leonardo Erlich, Thomas Thorn, Sara Facio, Fernando Fader, León Ferrari, Lucio Fontana, Raquel Forner, Leonid Gambartes, Victor Gomez, Sebastian Gordín, Carlos Gorriarena, Victor Grippo, Alfredo Guttero, Miguel Harte, Alberto Heredia, Alfredo Hlito, Enio lommi, Andrea Juan, Gyula Kosice, Guillermo Kuitca, Fortunato Lacámera, Raul Lozza, Leonel Luna, Jorge Macchi, Romulo Maccio, Tomás Maldonado, Martin Malharro, Matilde Marín, Quinquela, Marta Minujín, Adolfo Nigro, Charly Nijensohn, Luis Felipe Noé, Daniel Ontiveros, Pacenza Onofrio, Esteban Pastorino, César Pasternosto, Teresa Pereda, Diego Perrotta, Emilio Pettoruti, Enrique Policastro, Marcela Pombo, Liliana Porter, Juan Del Prete, Alejandro Puente, RES, Silvia Rivas, Josefina Robirosa, Juan Carlos Romero, Miguel Rothschild, Graciela Sacco, Daniel Santoro, Tomás Saraceno, Mariano Sardon, Eduardo Sivori, Xul Solar, Lino Enea Spilimbergo, Eduardo Stupía, Juan Travnik, Carlos Trilnick, Nicolas Garcia Uriburu Jorge de la Vega, Maria Juana Heras Velasco, Juan Andres Videla, Yente, Horacio Zabala and Facundo de Zubiri.

Argentine art, in parallel with its rich and complex history, has developed between dictatorships, crisis and democratic reforms as an important means of social criticism and political opinion.

The focus of the debate is the culture of memory and the search for identity in contemporary history, ie from the early 20 th century.

The exhibition is accompanied by an extensive catalog (Castilian / English) to broaden the spread of Argentine art.

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Southern Identity. Contemporary Argentine Art at the Smithsonian Institute in Washington

Tribute to contemporary Argentine art in the United States. Next Tuesday
12 will open the exhibition "Identity in the South. Contemporary Argentine Art 'in the most important museum complex in the United States, the Smithsonian Institute in Washington.

This exhibition, one of the most important changes in the country's north, is divided into four themes: "The political imprint," The landscape immanent "," Notes on Identity "and" Poetics of abstraction. "

Participating artists are: Jorge Abot, Fernando Allievi, Carlos Alonso, Nicola Costantino, Miguel D'Arienzo, Juan Carlos Distefano, Hernán domp, Susana Dragotta, Fermin Eguia, León Ferrari, Daniel Garcia, Norberto Gomez, Eduardo Iglesias Brickles, Enio Iommi, Gyula Kosice, Marcos Lopez, Jorge Macchi, Marta Minujín Ariel Mlynarzewicz, Luis Felipe Noe, Caesar Paternoster, Duilio Pierri, Rogelio Polesello, Victor Quiroga, Tulio of Sagastizábal, Daniel Santoro, Marcia Schvartz, Antonio followed Paul Siquier, Eduardo Stupa, Marcelo Torretta, Facundo de Zuviría. La muestra

it will remain open until 23 de enero de 2011