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Thailand Box Office (May 6-8, 2011)

A week Thai billboard is dominated by American productions with six films in the top ten. The other four are Asian productions, three local and one Japanese. The positive is that two Thai movies are in positions two and four of the box office.

In the first place we find the indefatigable franchise The Fast & The Furious and dominate its fifth installment in its first week of release overwhelmingly on the rest. Secondly we have to first last week and also the first national Ladda Land, a film with the usual ghosts and haunted houses and second film directed by Sopon Sakdapisit , screenwriter Shutter and Alone . Also in its second week found the blockbuster based on the Marvel character, Thor and Jakkalan , comedy directed by Petchtai Wongkamlao, popular comedian, actor and director Thai, known among us for his starring roles in Ong-Bak or Thai-Dragon . To close the top five U.S. have the romantic comedy Something Borrowed , released just this week.

In sixth place we go to Rio , the new proposal from the creators of Ice Age (Ice Age) , which fulfills the four weeks in Thailand to the delight of children. In the following we put local epic King Naresuan: Part Three , still holding and it takes six weeks in theaters. In the eighth and ninth positions two U.S. movies, Nicolas Cage and Fury blind lineup two weeks, and Unlimited, with the presence of Bradley Cooper and Robert De Niro . To close the weekly ranking slips an interesting Japanese production, Ashita no Joe, the real picture adaptation of the famous Japanese boxing manga, created by Asao Takamori and Tetsuya Chiba in 1973.

John Prskalo

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20th Century Boys trilogy from May 4 Canal + Xtra.

The great Japanese film saga may be the 27th of May in full in Canal + Xtra.

20TH CENTURY BOYS: The Complete Saga

Chapter 1: The beginning of the end . Yukihiko Tsutsumi (2008). 142 min.

Chapter 2: The Last Hope . Yukihiko Tsutsumi (2009). 140 min.

Chapter 1: Redemption . Yukihiko Tsutsumi (2009). 156 min.

A company unparalleled in the history of cinema Japan: adapting manga series 20th Century Boys by Naoki Urasawa (Monster), which has sold over 25 million copies worldwide. A phenomenon both in Japan and for every fan of the manga genre. nobody thought could be possible to film a work so vast, complex and epic.

film But Japan decided to take the risk and invested a record: six billion yen for three films. Count with the collaboration of the author, who retocaría the original story tapes give their own personality.

The three parts of the series have become the equivalent of key eastern science fiction 'The Lord of the Rings', breaking box office records in Japan. In fact, the final chapter achieved six consecutive weeks the first in the list collection. The story begins with a group of friends to see how a book of prophecies written in children is becoming a reality. But this is only the starting point of a history that spans past, present and future, several countries, dozens of spectacular characters and apocalyptic scenes.

Seriao Cakedo Registri Mechanic 9

Nosolocine: BSO

Author: Chan Kwong Wing

Year: 2002

Long before Martin Scorsese of Leonardo DiCaprio, Matt Damon's and Jack Nicholson, among others, the real movie about a cop infiltrating the mafia and, simultaneously, a gangster infiltrating the police force was, clearly, Infernal Affairs. With a much larger narrative economy, Andrew Lau and Alan Mak told us in 2002 game of cat and mouse to discover mutually established between an undercover cop (Tony Leung ) and a mobster with aspirations to progress in the police ( Andy Lau). With a large and strong narrative pulse interpretations of the entire cast (completed by actors like Anthony Wong , Eric Tsang Kelly Chen or ) became one of the biggest hits of that year, leading to two sequels and becoming one of the most popular titles and renowned Hong Kong film.

The task of providing musical reinforcement film was to fall on Chan Kwong Wing , a veteran of the cinema of the former colony, who, over nearly two decades, has created hits such as musical accompaniment for Storm Raiders (for which she won an Academy Award Hong Kong), The Warlords or the entire trilogy Infernal Affairs . Turning

comment CD, we must recognize that despite its short duration (only takes 30 minutes just) Chan Kwong Wing gives us a really varied. Cut 1 in which starts the disc (transcribed titles, but are written in pure Chinese!) is the theme that accompanies the opening credits, tense and dark notes that we are preparing for the kind of history with which we will find and musical tone. In most of the cuts are going to deal with dynamic moments, rhythmic, with a generally reduced orchestral and occasional reinforcement of the electric guitar. The impression gained is that of being at an urban story, quick, tense ... The occasional incorporation of Eastern instruments (unusual for a police argument like this) adds an appropriate sense of unease and anxiety. Despite the constant stress, there some emotional moments, sentimental and melancholic cuts 7 and 10 and the theme that we consider primary and most melodic soundtrack. We got a couple of times on the disc, cutting 3 and cut 12. A sad theme played by a solo female voice and that is to accompany the death of one of the positive characters of the script. The end of the album comes with a powerful theme reminiscent of coral carminaburanianas , which seems to represent a certain air of Greek tragedy, this subject appears in the original Chinese trailer for the film and is a powerful way to end play.

As a final conclusion we can say that Chan Kwong Wing offers an interesting soundtrack; that seeks primarily fit the image, ignoring largely the creation of melodies, with the exception of the aforementioned female vocal track and choral theme that closes the disc. We recommend an assessment, and therefore liable for all who are fans of the film.

Rating: 6.5 of 10

Felipe Mujica

Donate Used Camera Ontario

Nosolocine Infernal Affairs: Korean Literature Forum UMA

started the week with a great news that comes from Manchester and sure glad to lovers of literature. The UMA is organizing a Korean Literature Forum to be held on 18 and 19 May under the title "Forum Spain KLTI 2011. The Korean and literature in English. "

The event will take place on 18 and 19 May, hosting an academic seminar on the first day and a second literary encounter. The academic seminar will explore under the title " The Korean and English Literature " the situation of the translation of this literature and its future prospects in the coming years. The issue will be analyzed from a multidisciplinary approach, in which historians, translators and experts in Korean literature present different problems and aspects of the topic. This event will be held at the Auditorium María Zambrano, Faculty of Arts on the campus of Teatinos from 9:30 to 13:45.

Seminar: "The Korean and English Literature"

Wednesday, May 18, 2011, 9:30 am

Hall María Zambrano, Faculty of Arts, University of Málaga (Campus Teatinos)

Program 11:30 to 12:00

Time
9:30 to 9:40	Introduction and presentation of the act Moderator: Antonio J. Doménech (Korea Program Director, University of Málaga)
9:40 to 9:50	Welcoming Remarks Ko Young-il (Director of Planning and Administration , KLTI)
9:50 to 10:00	Greeting Words Victor F. Muñoz (Vice Chancellor Andalucía Tech)
The Korean and English literature Session 1: Framework for the translation of Korean to English
10:00 to 10:30	The stranger glow of Korean literature. Enrique Benítez (Delegado Provincial de Obras Públicas y Vivienda de la Junta de Andalucía. Comentarista literario en La Opinión de Málaga )
10:30-11:00	La traducción de libros en un contexto mundial: aproximación sociológica Juan Jesús Zaro (Catedrático de Traducción e Interpretación )
11:00-11:30	Preguntas y Respuestas
	Coffee Break
Session 2: Presentation of cases
12:00 -12:15	The Korean edition in English Theatre: Towards a Proposal ecdotics. Fernando Cid (AEO . Universidad Autónoma de Madrid )
12:15 to 12:30	And what Korean book do you recommend? Case Study of final access to Korean literature. Esther Torres (Translator and Member of Research Groups and International Studies Group InterAsia)
12:30 to 12:45	The translation of the history books Korean for the University. Problems and prospects Luis Botella (Office of the University of Incheon in the UMA)
12:45 to 13:15	FAQ
13:15 to 13:30	IV Presentation of Essay Contest and closure of Korean Literature Seminar Antonio J. Doménech (Korea Program Director University of Malaga)

Day 19 will be held at the Old Conservatorio María Cristina a meeting with two authors Korean Haïlji and Kim Aeran . Each author will present his work and then establish a dialogue with the English authors, Francisco Ruiz Noguera, Rosa Romo and Juan Francisco Ferré . Haïlji is an acclaimed author and in Korea, which debuted in 1990 with his book "The Road Race Track." For his part, Kim Aeran relatively soon made his debut in 2005 with a book of short stories titled "Run, Daddy." Finally, we will read passages from the work of Kim Haïlji and Aeran, ending with the representation of an adaptation of Federico García Lorca's work, "Have Passed ..." by Theater Mu . This meeting with the authors begin at 19:00 and is estimated to finish at 22:00. In any case, the attachments is the program in detail two days.

Literature and the various sentiments: Meeting with Korean Literature

Thursday, May 19, 2011, 19:00

Real Conservatorio María Cristina (Calle Marques de Valdecañas , 2
29004 Malaga)

Time	Program
19:00 to 19:10	Introduction and presentation of the act Moderator: Antonio Quesada (writer and professor of law)
19:10 to 19:15	Welcoming Remarks Adelaida de la Calle (Chancellor of the University of Malaga)
19:15 to 19:30	presentation of his literary Haïlji (Novelist)
19:30 to 19:45	presentation of his literary Aeran Kim (novelist)
19:45 to 20:15	Dialogue among Korean and English authors Francisco Ruiz Noguera (Poet and Essayist) Rafael Ballestero ( Novelist and poet) Juan Francisco Ferré (Novelist) Rosa Romo (Poet)
20:15 to 20:35	Rhapsody Simon Ramos (actor) Elena Casanueva (actress)
20:35 to 20:45	IV Presentation of Essay Contest Korean Literature Antonio J. Doménech (Director Korea Program, UMA)
21:00 to 22:00	Theatre: "So spend ..." based the work of Federico García Lorca, "So Five Years Pass" Theater Mu

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Younger Brother (Japan, 2010)

Director: Yoji Yamada
Year: 2010

Country: Japan

With : Ryo Kase, Yu Aoi, Yuriko Ishida,
Koen Kondo, Sayuri Yoshinaga .

Genre: Drama

I remember when I discovered in Yoji Yamada's The Twilight Samurai . I remember being captivated and I knew from that moment that the name had to be necessarily guarantee quality. Now, nine years later, I can vouch for that.

Titles like The Hidden Blade, Love and Honor , Our Mother and the film at hand, speaks for itself. The latter two films also share two of the protagonists (Sayuri Yoshinaga and Koen Kondo, excellent by the way), share many more things. In fact, I have almost everything in common: visual poetry portrayed from the simplicity and manners, narrative dominated by the tempo marking the characters' emotions, sensitivity and humanity absolute extreme delicacy as to the interpretations, and even a pinch sense of humor. It is true that these features predate his last two films, but is in this last stage as they rise to full power.

Yoji Yamada has directed seventy-six films, the first in 1961. It is obvious that this experience has given him an expertise that few authors can boast. The funny thing is that most of his work are forty-eight parts of its film series Otoko wa Tsurai I would say that the longest in the history of film along with the adventures of Wong Fei-Hung that between whistles and flutes have been devoted to some 99 titles.

Turning to Younger Brother , and well above features present, only remains to remark that it is a beautiful but uncomfortable family history, in which the younger brother ( Koen Kondo) of the protagonist (Sayuri Yoshinaga ) is a black sheep, a heavy and a drunk who navigates between the innermost and unbearable. His incorrigible way of being always creates problems for his sister, a widow for some years and by a daughter and a grandmother. But no matter how complicated his brother there, always ends up feeling responsible for it and forgiving.

I do not want to talk about the end of the film, which has a strong emotional weight and worth that you see on your privacy, but be alert that I will not leave you indifferent and that all the time, the director throws you little existential questions but unpretentious, with great humility, which will turn into your heads until finally all content asimiléis projected onto the screen.

One of those works that do a better person when fully understand.

best: all, but if we must choose: the leading actress. Pride.

Worst: not remember which is released in Spain ...

Oscar Sueiro

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South Korea Box Office: April 29-May 1: A mixture of genres made in Korea

were four Korean films during the week are among the ten most watched in South Korea. A minority, yes, but well positioned, because the three of them can be found in positions second, third and fourth (very close together, as if they think that unity is strength), while the farthest from the head has gotten reach the seventh.

is, in this order, Forecast Suicide, Clash of the Families , The Most Beautiful Goodbye and I Am a Dad . The first is a typical Korean dramedy about an insurance salesman (Ryoo Seung-Beom ) trying to prevent the suicide of some of his unfortunate customers, while learning from them to be innocent and loving his family. Clash of the Families , meanwhile, is a romantic comedy that has been a month on the bill and have seen two million viewers. His story of the Romeo and Juliet to joke with regional differences and rivalries between two areas of Korea, for the families of the girl (Lee Si-yeong , view Boys over Flowers) and boy ( Song Sae-byeok , The Servant ) protagonist oppose their relationship belonging to different places.

The Most Beautiful Goodbye becomes melodramatic share of the box office, it tells the story of a courageous woman who has cared for all of his Alzheimer-stricken mother, has endured a husband carefree and just backsliding children, and now must face cancer. I Am a Dad , finally, is a thriller, which completed the collection of film genres typical South Korean film, nor did it on purpose, go. As so often, the protagonist is a corrupt cop and a half gangster, the peculiarity is that her daughter need a transplant, and the only donor available is a man who himself was imprisoned on false charges. An entire panorama.

Indeed, the film that tops the list of blockbusters is Fast Five, and others are Gnomeo and Juliet, the biopic of Jane Eyre , Rite, Hanna ( opens in Spain in June) and India My Name Is Khan.

Jordi Codó

Leopard Print Bedrooms

DA 10: Journal of accredited novice who learned to the cat. Day 10

To quote the song Serrat : "Come down the hill, up on my street that the party is over" . Yes, the International Film Festival Author D'just bring down the curtain at about quarter past twelve on Sunday, which otherwise has been a bit gray. After ten days of hard to see good cinema away from commercial channels played back into the routine and daily work with the dregs of bitterness and the gap that runs down your body when you're used to something and you know I am not going to have. At the end of the film that has been the Audience Award was Meek's Cutoff of Kelly Reichardt , an atypical western treaty from a female perspective, and has been welcomed by all the spectators who flocked to his only projection during the Festival. Now is the time of the conclusions, the time to take stock before turning the page, but first, if you allow me, I will introduce a short review of two recent films that today I had the opportunity to see.

In the first session I left Section Asias with China Toguether Apart from Quan'an Wang, the director who got Brand New in Spain a few years ago one of his films, The Wedding Tuya, a real achievement if we look at the times and the type of films that are simple and intimate letters of introduction to the works of Wang . This film was commissioned to open the Berlinale 2010, where he won the Silver Bear for best screenplay. Apart Toguether tells us, between family meals and long conversations of living history of an exile who had to leave for the island of Taiwan when proclaimed the People's Republic China in 1949. Fifty years later the man returns to the mainland China to be reunited with the woman who was the first love of his life and who had to leave. She formed a new family, despite everything, he wants to retrieve it and bring it to live in Taiwan. After that the director feels all his characters to the table and focus in a subtle way to go digging into their deepest feelings and repressed passions. As in Wedding Tuya the plot is structured in a trio, two men and a woman facing an anomalous situation, in this case the ghosts of a past that is present too later. The passage of time can not destroy neither the desire nor the true love, and it leaves the viewer realizing slowly, silently, knowing glances that replace the hackneyed words. But the harsh reality eventually becoming apparent in some children who do not understand the attitude of his mother and a husband who needs to care given his advanced age and propensity to tipple (at times, and someone whispered in public low voice, reminiscent of The Bridges of Madison ). The grandmother has to be discussed between the man she loves and her family, and the balance will end up falling off the side of the second, though, in a masterful epilogue, be doomed to a gradual abandonment of it, and is already known, the grandparents just annoying (and if not, you just have to be Tokyo Story Ozu of to prove it). This renovated with some touches of humor (the scene where they have to marry again immediately after it is hilarious to divoricarse) and a melancholic sediment increases with nostalgic songs and tears of farewell. Wang film shows that their whole is refined and winning as part of trying to understand life watching the people simple and easy allowing obliquely criticize a repressive system that cut short the lives of thousands of compatriots.

And finally Cold Weather US of Aaron Katz , a separate invoice film that moves somewhere between drama and mystery thriller, and a forensic science student returns to his Portland home with his sister after leaving University of Chicago. They find work at an ice factory and be reunited with his ex-girlfriend, who suddenly disappears. Together with a friend, with whom she shares a passion for the world of Sherlock Holmes, will start the investigation that will lead to unraveling the enigma. Aaron Katz uses a bundle of false suspense to influence interpersonal relations among characters. Although the plot and dialogue are witty shows a slow pace staggering. It takes more than half an hour to start the argument, and when this happens, there are many scenes where we see the protagonist wandering or driving without any regard for the development of the action. This is a clear symptom of authorial will, and it is as if we were to a rival of Gus van Sant more contempaltivo. The final section, however, has the verve that is lacking in the rest of the movie, so you just do not get bored at all, staying in a sterile exercise of extravagant staging. I do not know if it was for the time and the number of movies accumulated over de estos días, pero se hubiera agradecido un colofón un tanto más enérgico y menos insustancial.

Desde luego es bueno que en un festival de esta índole existan propuestas tan arriesgadas y diferentes que definan una serie de nuevos itinerarios alejados de los más tradicionalistas,   y en eso el D’A se va a convertir en muy poco tiempo en un evento de referencia para todos los náufragos que deseamos asirnos a este tipo de propuestas alternativas. Por aquí hemos visto desde historias donde la disfunción familiar cobra vital importancia, bien sea impuesta por agentes exteriores, such as political repression, or because the family is no longer the natural and fundamental group unit of society and must seek new bond. We also enjoyed unusual landscapes, traveling from the desert steppe to the caves of southern France via the Thailand more ruinous, more icy Arctic Ocean and the Spain deeper. A journey sprinkled with political and social reality that tells us it difficult in some countries to escape poverty and achieve the rate of wealthier European countries based on corruption and rogue traders. And to top it off we have also given a tour by the most diverse, from the western most feminine, through the more indie thriller and the more tragicomic melodrama, leaving behind the terror more visceral and more gratuitous violence. A repertoire of good movies have taught us that we must not be disheartened by the apathy film that grips us every day and give in to the power of the dollar. There will always be an alternative cinema to point directly to the feelings and now have an annual opportunity to grab this straw or raft of oil in this wonderful festival which has just closed its doors.

Congratulations to the organization and until next year!

Bona nit!

Francisco Nieto

Cineasia

Lorna Morgan Galleries

DA 9: Daily learned rookie accredited to the cat. Day 9

Penultimate day festival that runs off our hands and penultimate daily writing of D'A . I can only begin to have a strange sense of sadness progressive face of what is discerned as implacable end of a week of your dreams. What movie buff inveterate not enjoy two daily sessions of good movies in perpetuity. Well, in that we have lived the illusion that we could enjoy the first edition of a competition, which can already be said, has been remarkably high its coming-out (there is always some fringe to shore, but in general has been a event worthy of applause from all.) But today is still not a day of conclusions, but to rush all the good suggestions we have yet seen. Whoever approaches this past weekend at the festival that you know you can find a delight in 3D, Cave of Forgotten Dreams of Werner Herzog, the film that just opened the Documenta Madrid 2011 and that introduced into the caves of Chauvet, France, which hold the oldest known cave paintings to date, 30,000 years hidden under rocks. Also, and pulling a little for home, you can enjoy on their second pass in the festival of films Asian Oki's Movie , Hi-So and Apart Toguether , although if the likes shooting more for the language cinema Hispanic Post Mortem will be screened and your fault. The film that closes the first edition of the Festival de Cinema d'Author, The Strange Case of Angelic of Manoel de Oliveira can be seen in special session Saturday to eight-thirty Sunday morning at six-thirty in the afternoon.

is certainly the first time I'm going to talk about a film director who has already served more than 100 years. I think if a person at that age still have the ability to get behind a camera to tell a story can be filmed anything bad said about him. And if not, I invite everyone who reads it will make the hypothetical question of what we are doing here if we reach the centenary? In my case I assume that the lucidity and clairvoyance will have vanished completely, forty years because things are going well, well ... Well

recently celebrated 102 years with Portugal's Manoel de Oliveira filmed this The Strange Case of Angelic (2010), and do not believe we're talking about his will on film. The Methuselah of active filmmakers already preparing their new album, is titled A Igreja do Diabo , which will star Fernanda Montenegro and Ricardo Climb. The film in question, the actress who heads the cast acting is our Pilar López de Ayala, who occasionally abandons his career to act more commercial orders considered authorial filmmakers, as happened a few years ago when he made In City of Sylvia of José Luis Guerin . This gives life (or rather gives death) to a girl from a village wine from Portugal who has just died. Isaac ( Ricardo Climb ) is a photographer with a mysterious past who receives an unusual request in the middle of the night to photograph the defunct to get capture the essence of the beauty of a face that is about to disappear. The powerful film stands in silent meditation master the fine line between present and past, and between this world and the next. Even after carrying half a century making movies, Oliveira still willing to take risks and explore issues that the other directors are not even raised. The film, admittedly, is slow noses, scratching the excess limit contemplata, but there is so much love and poetry in what we are told that you can forgive the surplus of hieratic and parsimony that slows the development of plot . A different film, as seems more suited to another time (we will not now ask for the impossible, and Oliveira is to film extreme action movies), but softens and leaves you feeling that eyes are deep with technological advances in cinema have been dissipating and disappearing.

Moreover, the Finnish Bad Family of SALMENPERÄ AleKxi , may have been one of the weakest films seen during the festival. Backed by the production of Aki Kaurismaki has little to do with the movies of famed Finnish director, characterized by providing an intense film that is absent here. There may be some aspects of Scandinavian culture that we may miss, but the truth is that it is a film that no one wanders in field between the sitcom, the family drama and even dares to filirtear with gore. The story introduces us to a judge who, we assume as a matter of professional fault, try to maintain order and the concert at home. Then appears on the scene the daughter of his recently deceased ex-wife, who routinely alter the entire family peace unpredictably. Bad Family directly addresses the issue of dysfunctional family and his inner tragedies, mostly caused by ineffective communication among its members. The problem is that the drawing of the characters is too inconsistent, lacked the force necessary for us to show interest in their fortunes, and there is nothing in themselves it may seem relevant. Nor help saturation close to the principal seems to be referring to teachers as Bergman or Dreyer . Although it may be an effective remedy to represent inner emotions, here fails to meet its target because it is used with due restraint. In short, a proposal as expressionless as the face of its protagonist, who, with his dark look is the one who conveys some emotion to the whole soulless.

plays farewell And tomorrow, we know the film that finally has the upper hand and still have time to comment on a couple of films more: Apart Toguether China U.S. and Cold Weather .

Bona nit!

Francisco Nieto

Cineasia